Fritz Brandtner

SOLD

Fritz Brandtner (1896-1969)

Depression Years, 1936

Watercolour & Ink

13.5” x 10.5”

Additional images

Available works

Fritz Brandtner

Still Life

Graphite, 11″ x 15″

Fritz Brandtner

Collage Blue

Mixed media, 10″ x 14.5″

Fritz Brandtner

Runners, 1932

Mixed Media, 7.5″ x 10″

Fritz Brandtner

Untitled, 1960

Collage & Oil 20″ x 16″

Meet The Artist

Artist Origin: German-born; immigrated to Canada in 1928; worked first in Winnipeg and later primarily in Montréal.
Artist Type:Modernist painter, draughtsman, printmaker, muralist, and educator; key figure associated with Montréal’s Contemporary Arts Society; early Canadian pioneer of non-figurative work informed by German Expressionism.
Born: July 28, 1896 (Danzig, then Prussia; now Gdańsk).
Died: November 7, 1969 (Montréal, Québec).

Fritz Brandtner was a pivotal bridge between European modernism and Canadian postwar innovation. German-born and Montréal-based, he brought a first-hand understanding of Expressionism—its emotional urgency, social conscience, and graphic force—into Canadian art at a critical moment. Equally committed to teaching and community impact, he helped build access to art education while developing a prolific studio practice that moved from charged figuration and anti-war imagery toward bold, often landscape-derived abstraction. His legacy is both aesthetic and civic: a modernist who believed art could sharpen perception and strengthen society

Publications​

Helen Duffy & Frances K. Smith, The Brave New World of Fritz Brandtner / Le Meilleur des Mondes de Fritz Brandtner (Agnes Etherington Art Centre, 1982). A landmark scholarly exhibition catalogue with substantial bibliography—essential for understanding his German Expressionist roots, Montréal role, and the shift toward abstraction that anchors his market significance

Helen Duffy & Frances K. Smith, The Brave New World of Fritz Brandtner / Le Meilleur des Mondes de Fritz Brandtner (Agnes Etherington Art Centre, 1982).
A landmark scholarly exhibition catalogue with substantial bibliography—essential for understanding his German Expressionist roots, Montréal role, and the shift toward abstraction that anchors his market significance

Past Sales

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