Jean-Paul Jérôme

Jean-Paul Jérôme (1928-2004)

Étoffe Rouge, 1978

Acrylic

9.5″ x 13.75″

6,800.

Additional Images

Available works

Les rizières qui scintillent, 2000

Collage

20″ x 8″

5,000.

Le rivage pâlit, 1976

Acrylic on canvas

24″ x 15″

9,000.

Les canaux du ciel, 1995

Acrylic on canvas

20″ x 24″

11,000.

Sans titre, 1995

Acrylic on multiple canvas

24″ x 30″

16,500.

Midi Un, 1993

Acrylic on canvas

20″ x 24″

11,000.

Parc des Oiseaux 1995

Acrylic

34″ x 40″

18,000.

La cité et les murs, 1986

Acrylic

18″ x 23.75″

12,000.

Sans titre 1992

Acrylic and Collage

10.25″ x 17″

3,900.

Available works

If you’re interested in other works by Molly Lamb Bobak, please inquire directly.

Meet The Artist

Artist Origin: Canadian
Artist Type:Co-founder of Les Plasticiens; Signatory of the Manifeste des Plasticiens; Geometric Abstract Painter; Designer and Sculptor.
Born:February 18, 1928, Montréal, Québec.
Died:August 14, 2004, Montréal, Québec.

Jean-Paul Jérôme was a central figure in the development of geometric abstraction in Québec. A co-founder and signatory of the 1955 Manifeste des Plasticiens, he helped move Montréal abstraction toward structure, clarity, and the disciplined relationship between colour, line, form, and space. Trained at the École des beaux-arts de Montréal, Jérôme later spent formative years in Paris, where his exposure to European abstraction sharpened his interest in harmony, rhythm, and optical precision. His work remains important for collectors because it represents a distinctly Québec modernist language: intellectual, refined, and deeply committed to the autonomy of painting.

Publications​

The Plasticiens and Beyond: Montréal 1955–1970, Musée national des beaux-arts du Québec / Varley Art Gallery, 2013. Essential for collectors because it situates Jérôme within the Plasticiens movement and explains the intellectual shift from Automatism toward geometric abstraction—key to understanding his market and historical importance.

The Plasticiens and Beyond: Montréal 1955–1970, Musée national des beaux-arts du Québec / Varley Art Gallery, 2013.
Essential for collectors because it situates Jérôme within the Plasticiens movement and explains the intellectual shift from Automatism toward geometric abstraction—key to understanding his market and historical importance.

Past Sales

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